You can buy both together for a special offer price of $37.99, or just one or the other depending on your needs! In the last 12 months I’ve been working on the all-new Pro Color 3.0 with two extra color profiles and also in addition, Pro LOG. EOSHD Pro Color is the solution, and I am very satisfied with how it was received by the filmmaking community. Thankfully Sony give us the tools to change their default color in a huge way.
EOSHD PRO COLOR FOR SONY UPDATE 2017 SKIN
There’s the yellow Homer Simpson skin tones and blue highlights which turn green! We all know Sony’s cameras tend to have color out of the box which is a bit wacked.
EOSHD PRO COLOR FOR SONY UPDATE 2017 UPGRADE
Upgrade your Sony camera now New for 2017 EOSHD Pro Color 3.0 New for 2017 EOSHD Pro LOG Pro LOG also comes with 25 EOSHD Film LUTs for an instant cinematic grade in post. In addition to the new Pro Color 3.0 with additional profiles, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like profile for your Sony camera. I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras. Final Cut is a lot cheaper in the long run and with the 10.3 release Apple has managed to raise the bar significantly.Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ( $49.99)
The only question remaining is how the new release of Apple Final Cut Pro X 10.3 competes with Premiere Pro CC 2017. That way you can improve playback speed on lower end machines such as laptops or just have a quick reference of how a clip looks with or without effects applied.Īs pricing remains the same, you don’t really need to think twice before upgrading to the latest version. Rather than having to work with a long list of commands, a visual keyboard can be displayed in order to map any function to any key.Īll in all, performance in general has been improved of course, and there is a new switch to toggle video effects on and off globally for the whole sequence. The Keyboard manager has been improved too, so now it’s easier to map custom shortcuts or tools to certain keys.
The duration can be altered directly on the timeline itself. They can be postioned freely and can be formatted for better readability for example. Now you can work with an enhanced range of tools when modifying captions. The editor for open and closed captions has been improved. Think of it as a custom, yet flexible animation template. For example, you can edit the text directly within Premiere Pro without having to re-render the whole animation in After Effects. With the new live text templates you can create animated lower thirds or other graphics in After Effects and set options which can then be edited directly within Premiere Pro without the need of an After Effetcs licence. In addition, more formats are now supported natively within Premiere Pro, including QT DNxHD/DNxHR export and RED Helium. You can apply a metadata flag on export, so streaming platforms like YouTube will automatically recognise the incoming video as 360°. Premiere Pro becomes auto-aware of the type of imported VR footage – such as monoscopic, stereoscopic left/right or stereoscopic over/under – and applies the appropriate settings automatically. The latest update improves the workflow of how VR material is handled. If you are into VR video, this next feature is for you. HDR10 files are now supported and color space metadata workflow has been improved. New color pickers let you make immediate selections when working with HSL secondaries. The Lumetri color tab has been updated, too. Whether this feature can compete with the already established solutions mentioned above is yet to be seen, but it looks promising. One thing to mention, though: this service is only available in the Creative Cloud for Enterprise and Creative Cloud for Teams tiers. The built-in solution of Premiere Pro allows teams to collaborate on the same projects easily and sports features like version control or smart conflict resolution. The service is not only available in Premiere Pro but also in After Effects and Prelude. It’s still in beta, but to get an idea in terms of functionality you can think of services like Frame.io or wipster.io. In this article we’ll go through some of the new features such as team collaboration, improved Lumetri Color, updated captions and auto-aware VR.įirst up, Adobe has implemented a team collaboration feature. Adobe has just released the latest versions of some of their major Creative Cloud apps including Premiere Pro CC 2017.
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